Arche, The Cross, and Jesus Christ

The light as Lucifer after his fall is the light that crosses in the left and right directions, and it is the light that travels 300,000 kilometers (186,000 miles) per second.

The light as Lucifer before his fall is the light that exists in the depth direction, and it is also light that travels 300,000 km/s.

What exactly is the difference between those two lights?

Depth, or the direction of “front” for our bodies, is not left-right or up-down, but in some particular direction. Our act of seeing can only occur in this “front” direction. Phenomena are something that discloses themselves as light in front of our bodies.

In his book Being and Time, the philosopher Heidegger defined “phenomenon” as “that which shows itself in itself.” He saw the fundamental task of phenomenology as bringing being into the midst of phenomena that are the objects of our senses and constitute our experiences.

Being is the most self-evident and worthy of the name of the “phenomenon”(from Greek phainomenon meaning ‘thing appearing to view’) because it is understood a priori as the basis on which everything appears. Still, a world that is recognized after the ego, “I,” is created, the phenomenon becomes hidden and functions anonymously. In this sense, the “front” that is perceived in the name of space-time and the “front” that exists before space-time rises to consciousness need to be considered as entirely different things.

To give the depth direction the same notion of width as the left-right direction causes phenomena’s significance to disappear. As Husserl saw it, phenomena are the naked “front” before any conjecture (Doxa) gives them its interpretation. The phenomena, called pure perception, are squashed into a two-dimensional plane and made to exist as a kind of thin membrane (enframence) in the viewing space.

In the previous article, I mentioned that the direction of depth is also the direction of space-time, which includes the passage of time as well as spatial distance. If this is the case, this perceptual reality, in which the depth is identified with a single point, also contains all the passage of time. Even if “I” was born 50 years ago, the flow of time since the beginning of the universe of 13.7 billion years folded into the depth of space contained in this pure perception.

In other words, in the case of light that exists in the direction of depth, it is necessary to think of the “here and now” as the same thing as the plane where the universe began. What I always call “Arche” is this thin film of light that can be called the skin of being.

Arche=light—-Attaining this realization is what is called in Noosology “the actualization of “GAIMEN (the Outside=visible) position of human.” The true subject, which has been hidden in the workings of human consciousness until now, comes into appearance. The eternity of now exists in this infinitesimal thickness of depth. And that is the fundamental platform of the existence of “I.”

This eternity is permanently attached to where we live as present beings. It is what the Christians would describe as “I am here with God.” This is Emmanuel’s God. A philosopher might refer to it as the “immovable Earth.” Only with this kind of thinking can we understand why the speed of light plays such a fundamental role in the Theory of relativity. We can see the essential meaning of the 4D invariant distance (ds^2 = dx^2 + dy^2 + dz^2 – c^2dt^2     ds^2=0) which physicists have abandoned its interpretation.

Space-time collapsed to an infinitesimal thickness before our eyes. This is the true nature of light as the basis of phenomena. Under the speed of light, the hands of the clock stop, space shrinks to an infinitesimal length, and the world of quaternion vector=zero appears. This is the true nature of light’s spin.

In other words, the fourth dimension as a depth direction identical to a single point, is the meaning of what Einstein calls “light playing the role of infinite speed.” And the place where this eternity stands upright in relation to space-time is nothing but the position of the actual subject who perceives the flow of time. In short, the real subject is not what is seeing, nor what is being seen, but the backlight contained in the very act of seeing. When the human consciousness realizes this, all human beings can transform into the initiator of creation, that is, into Jesus Christ as arche.

Kohsen: Isn’t seeing itself the “true subject”?

OCOT: Correct. It means that the organism (the mind without “KATACHI (structure, form)”) took the first structure.

Then, the non-objective form becomes manifest under the eternal phase. This is what OCOT calls” Structure (form)”, the original form of forms. This tells us that geometry is essentially meaningless unless in the locality of eternity.

It is easy to see this when you think about it with composure. In principle, human perception cannot construct “KATACHI (structure, form)” in space-time. For example, what if we were to imagine a 380,000km (238,900mi) long line connecting the Earth and the Moon? Even if we imagined follow that line at the speed of light, it would take about 1.3 seconds in space-time.

But as you can see, if you check your actual conscious activities, you don’t need any time at all to imagine a line segment connecting them. “KATACHI (structure, form)”, no matter what its size, is something grasped instantly and immediately. And if it is not captured in an instant, the concept of “KATACHI (structure, form)” itself would be meaningless.

When we recognize the four vertices that make up a tetrahedron, if there is a time lag in our understanding of each point, we cannot say anything about “KATACHI (structure, form)” of the tetrahedron. The real subject is eternity, and it is only through the coordination of the positions of this timeless subject that geometry is constructed.

OCOT: Human consciousness has started gearing toward seeing “KATACHI (structure, form)”. What we mean by “KATACHI (structure, form)” is not what is seen, but what is seeing.

To gently place an invisible cross inscribed with the x-axis and y-axis on the viewing space in front of you. And to think about the meaning of the body of light being crucified there. More specifically, to contemplate the intention of the z-axis direction of the 3D eye, which is imaged vertically there. The spatial depth that has become identified with the width as the z-axis direction is the Spear of Longinus (or to say, Cassius) stuck in the side of Jesus, and the abyss that prevents human consciousness from connecting to Sirius. The ruler of this abyss is time, the true nature of the human dimension.